22 Dec 2010

Why Eric and Ernie STILL bring me sunshine

Victoria Wood first thought ten years ago of ­telling the story of Eric Morecambe and Ernie Wise before they were famous.
And, she says, playing Eric’s mum in a TV Christmas special has only confirmed what a great story it is.
‘No one has even been told about when the two of them met and how they developed into a double-act. They weren’t born middle-aged.
‘Like so many people, I was always a big fan, but I’m also intrigued by that period in the theatre during and after the war when Ernie was already a child star. Indeed, he could lay some claim to being Britain’s Mickey Rooney.’
Eric was different, she says, a boy with enormous natural talent and an ambitious mother.
‘I felt it was very much a man’s story, one of friendship between boys and then men. So it seemed better in the hands of a male writer. When I started ­discussing it with that writer, Peter Bowker, I imagined it would concentrate heavily on the two boys.’
But Bowker came up with the idea of ­involving Eric’s parents, Sadie and George, played by Victoria and Vic Reeves.
Despite being an executive producer of the ­production, Eric And Ernie, only rarely during filming did she stray into any discipline other than that of actress. She made just one change to the script — ‘Couldn’t we?’ became ‘Could we not?’ because she felt that’s how the characters would have spoken.
She also occasionally piped up when it came to Eric and Ernie performing comedy routines on stage. But then this is a woman who has twice sold out 15 consecutive nights at the Royal Albert Hall with her one-woman show.

Stage Play Review

Take one huge hit sitcom from BBC TV, place on Wycombe Swan’s stage as part of a World Première national tour starring members of the original cast of the TV series.
Then blend in Victoria Wood’s writing, undoubtedly some of the funniest on television, and whip into a play based on the second TV series which follows the reluctant love story of Bren and Tony, egged on by Dolly, Jean, Twinkle and Anita.

Finally, mix in caretaker Stan’s words of wisdom and coat with regular appearances by Philippa from Human Resources and Petula, Bren’s dreadful mother and you have a recipe for madness, mirth and twelve rounds of toast!
 
There's no denying Victoria Wood has the Midas touch when it comes to comedy, but even she was a bit daunted when she sat down to write a sitcom.
Expectations were high when Dinnerladies began filming in 1997. After all, it was the creation of Victoria Wood, whose sketch shows and TV plays had made her one of the country's best-loved comedians.

Wood had known comedy would be her destiny ever since she was six, when she saw the legendary comic actress Joyce Grenfell on stage. She studied drama at university and found herself famous at 20 after charming Britain with her funny songs on a talent show called New Faces.

Perhaps surprisingly, it was only by the mid-90s that she felt she could tackle a full-fledged sitcom on her own. She deliberately chose a "mundane" setting (a factory canteen) which would lend itself to poignancy and subtle humour. But writing it would prove rather difficult, even for Victoria.
Character creation

Character creation

Dinnerladies was Wood's show through and through – as well as writing the scripts and starring in it, she even composed and sang the theme song.

She approached the sitcom via the characters rather than plots. So, rather than deciding on storylines and fitting the characters into them, she came up with the traits and foibles of each person, imagined how they would interact, and allowed the plots to develop from that.

For example, having decided that the character of Glenda would have a weak bladder, Wood built the very first episode around the fact that Glenda was trapped behind a large ladder and unable to get to the loo – with the rest of the dinnerladies trying to free her before a very messy accident ensued.
Writer's block

Writer's block

The fact that Dinnerladies was entirely Victoria's series, and that she had no script editor peering over her shoulder, proved a double-edged sword.

For a while, the freedom and power was liberating, and she managed to write the entire first series in a mere month. But then came the second series, and the responsibility of doing everything herself began to weigh on her. Her pace slowed down, and loneliness even began to set in.

"I nearly jacked it all in," she later recalled. "I thought it was very bad, and that I couldn't actually write comedy anymore."

Luckily she did manage to complete the second series – but it took her six months rather than one.
Practice makes perfect

Practice makes perfect

The cast rehearsed each episode for a full week prior to recording and each episode was actually then filmed twice at BBC Television Centre, on two different evenings in front of two different live audiences.

The atmosphere on the evenings would differ according to the audience. As Wood later said, "Sometimes we'd have a load of screaming queens, and sometimes we'd have a load of OAPs from Purley."

Victoria would then see which of the two versions worked better – which garnered the most laughs, and had the actors on best form – and that would be the version that aired. The whole process of filming everything twice was utterly unique, and made production more expensive – yet it was allowed due to Victoria's status at the Beeb.
Getting out of the kitchen

Getting out of the kitchen

Dinnerladies enjoyed rave reviews (even from the notoriously hard-to-please TV critic Tom Paulin) and viewers watched in their millions. Despite this, Wood very deliberately decided that no third series would happen.

In fact, even a second series was out of character for her. "I don't normally do anything twice," she explained. "But for this I felt I had to do more, as the first series felt like an experiment. I wanted to deepen and improve it."

Having completed two series, Wood was satisfied that it had run its course. Taking her cue from Fawlty Towers (which only totalled 12 episodes), she wanted to keep the sitcom short and sweet. And so it is.

Theme Music

The show's theme music was composed by Victoria Wood. While it is usually played without lyrics, at the end of the episodes Minnellium and Toast vocals, also written and performed by Wood, were included:
Minnellium
Getting up, getting out, getting on, getting going,
Wears away at the dreams that you hold in your heart,
All the scared little choices you make without knowing,
Take away from the thing that you had at the start.
Chorus:
Day by day, drops of water wear the stone away,
Monday, Tuesday, Wednesday, Thursday, Friday…
Toast
All the dreams that you had when it all lay before you,
All the plans that you made, all the things you would do,
All the schemes that you knew time would bring to fruition,
Did they happen? Not so far, at least not to you.
(Chorus as for Minnellium)

Running Gags

There are a number of running jokes in the series.

    * Norman (the bread man) comments that "I'm agoraphobic — I fell off a diving board in Guernsey" in almost every episode — and when Norman fails to do so, one of the other characters usually manages to either say it for him, or refer to it in conversation.
    * Twinkle refers to Tony's witticisms with a sarcastic "Ha Ha…" followed by one of a number of quips ("Ha ha, I'm nearly laughing", "Ha ha, Hale and Pace", "Ha ha, straight to video" among others).
    * Stan invariably reacts to any provocation with "My dad was a Desert Rat", and names an everyday task that his father had been forced to perform in a highly improbable way using Army equipment (for example, "He made toast for 34 fighting men with a radiator grill and a flamethrower!")
    * Whenever Tony escapes to the fire escape for a cigarette, the girls respond to the draught from the open fire door with a chorus of "Shut the door!" He often responds to uncomfortable situations (such as Twinkle revealing that she may be pregnant, or Anita commenting that, after the birth of her baby, she "got away with just one little haemorrhoid") by smiling (with glazed eyes) and stating "I'm just having a fag!"
    * Petula frequently mentions some (usually far-fetched) event and asks if Bren remembers, before interjecting "Oh no, you weren't there". The only exception to this is when she comments that "I had a baby once, do you remember, Bren? Oh, yes, it was you!"
    * In most episodes Dolly will mention some (occasionally relevant) piece of trivia, always explaining that "it was in the Daily Mail". The article she mentions will usually be outlandish and blatantly untrue or inaccurate, e.g. wine gums being linked with teenage alcoholism.
    * Bren will occasionally try and think of a word, but confuse it with another related word, thereby making a malapropism: "It's a bit of a… um… not 'unicorn'… 'dilemma'!" or "What are those things like cucumbers… suffragettes!" as well as confusing the word "surrogate" with Harrogate.
    * Jean frequently makes mistakes while reading, because she refuses to wear her glasses, to comic effect — Jean: "£20 million cutlet centre to open. I didn't realise they were so popular." Bren (reading over Jean's shoulder): "Outlet centre!" Another such occasion was when she mistook a job advert for a 'lighthouse keeper' for a 'light housekeeper'.
    * Dolly's dislike for then-prime minister Tony Blair is mentioned in most episodes. She usually will hear about a situation that is biased towards younger people, and will then blame it on Tony Blair, e.g. "If you want to dump a heap of scrap metal outside the library and call it "aggression", you can get funding for that, no problem - but be a heterosexual white woman trying to turn left, you're not catered for!", or "Tony Blair! I bet he thinks that if we all take an old person, we can close the day centres and turn them in to Cappuccino Bars!". Another was "Tony Blair! Stick two poems up in a bus shelter and call it a University!" and "Tony Blair! It used to be the police ferrying criminals from place to place. Now it's anyone with three rear seatbelts and a driver's licence!".

All the Characters

.    * Brenda "Bren" Furlong (Victoria Wood) — (born 24 December 1957) The deputy manager of the canteen, and arguably the most ordinary of the characters. She had an unhappy childhood as her mother had her taken into care, and had an unhappy marriage to an alcoholic of whom she was frightened. She is very good at solving her colleagues' problems but often doubts her ability to overcome her own hardships. She is somewhat scattered, often forgetting adjectives and suggesting implausible alternatives and has a near encyclopedic knowledge of cinema which she makes many metaphorical references to. Several times in the first series it is hinted that she has feelings for Tony, though nothing comes of this until halfway through the second series.

    * Tony Martin (Andrew Dunn) — The divorced canteen manager, whose battle against cancer is a running storyline in the first series, prompting him in the second to want to do more with his life than simply running a canteen. Though he talks and thinks about women a lot, he has very little luck with them. He is attracted to Bren, but is too shy to reveal this to her for a long time. He is also a smoker and uses this as an excuse to escape some of the more surreal conversations of his co-workers

    * Dolly Bellfield (Thelma Barlow) — (born 8 April) Something of a social climber, Dolly is the cattiest of the dinnerladies, always having a bitchy remark to make about those around her. Prim and prudish, she frequently snaps at people that they ought to moderate their language, and frowns on Twinkle's sexual shenanigans. Perhaps because of earlier problems, alluded to in the first series episode "Moods", she is fixated on her weight and dieting. She has been married for thirty years and hopes to move to the nearby upmarket suburb of Mobberley after her retirement. Her constant regret is that her son Stephen lives with a marine biologist called Marcus (the audience are left to draw their own conclusions as to the living arrangements). Her husband, Bob, pretends to be deaf when they are in company and can't go to the toilet when with visitors, though Dolly claims "He can hear a bag of oven chips being opened from three doors away!"

    * Jean (Anne Reid) — Dolly's best friend, Jean is very often the stooge for her mordant remarks. Jean is somewhat unhappily married to cheating husband Keith at the start of the series (with a grown-up daughter, Liza), and in the second series he leaves her for a dental hygienist. After getting over the shock, and rediscovering self-confidence that she'd forgotten she ever had, she has a fling with a security guard (Barry "the love muscle") before settling down with Stan. She should wear her glasses for reading, but never does.

    * Twinkle (Maxine Peake) — The youngest member of the team, she turns up late every day and tries unsuccessfully to borrow cigarettes from Tony. No matter how sarcastic she may be however, it is clear that she regards the other members of staff as good friends, particularly Bren to whom she turns for help on several occasions. She lives with her wheelchair-using mother, for whom she acts as carer, and spends her evenings getting drunk and falling into skips. She loses a lot of weight between series. She is also a closeted football fan, much to Tony's amazement with her depth of knowledge.

    * Anita (Shobna Gulati) — (born 15 September 1975) Pleasant, but rather dim, Anita is a kind and loyal friend to her colleagues, empathising with them and often helping them to solve their problems without even realising it. She is somewhat desperate to have a family and children, becoming pregnant in the second series after a one night stand with a visiting decorator and terrified of the implications, leaves the baby on the fire escape on Millennium Eve, attaching a note asking Bren to look after him. However, she realises that she must face the consequences of her actions and returns to take the baby back. She is a big fan of Celine Dion and would like to call her first daughter Celine.

    * Stan Meadowcroft (Duncan Preston) — Stan is the uptight handyman of the factory, who lives with his father. He spends his days cleaning bins and grumbling. He is also particularly close to Bren as she seems to be the only one who knows how to successfully handle his moods. After his father's death he decides to get his life going again, embarking on a brief relationship with a nurse before dating, and ultimately proposing to his colleague Jean, which she accepts in the final episode. He keeps a toupee for special occasions (such as the royal visit) and holidays.

    * Petula Gordino (Brenda Furlong) (Julie Walters) — Bren's selfish and manipulative mother, who had Bren taken into care as a child because she was cramping her style. She sometimes seems to forget that Bren is her daughter. Whenever she pays Bren a visit, it's usually because she wants money or a favour. She appears to live in a fantasy world where she is a close friend (and usually a lover) of the rich and famous, but in reality is a down-and-out who lives in a caravan behind a petrol station. In the second series, she embarks on an affair with an Asian man and claims to be pregnant with his child. In the final episode, she dies off-screen. It is revealed that her real name is also Brenda Furlong.

    * Philippa Moorcroft (Celia Imrie) — The scatty and disorganised manager of the Human Resources department, having apparently landed the job because she was having an affair with the factory manager, Mr Michael to whom she refers as Mikey. According to her mother, she failed several of her O Levels. Her well-meaning attempts to relieve the dinnerladies' stress or help them in their personal lives generally have the opposite effect. In the second series she decides to break up with Mr Michael, and, having spent days planning how to do so to the smallest detail, she is furious when he dumps her first. She later begins a relationship with a colleague, Tom Murray 'from my office'. Philippa is the only character in the series who comes from the south of England.

    * Jane (Sue Devaney) — A member of the planning department, she had only a minor role in the first series, usually ordering the toast round for meetings. In the second series, she played a much more major part, having an ongoing wager with the canteen staff that Bren and Tony would or would not manage to 'get it on' by Christmas Eve. She has a drunken snog herself with Tony whilst on holiday in Marbella.

[edit] Minor Characters

    * Norman (Andrew Livingston/Adrian Hood) and Big Glenda (Sue Cleaver) — bread suppliers to the canteen. Norman is a work shy agoraphobic and bigamist (technically), and Glenda seems to overtake Norman's duties when his agoraphobia is plaguing him. Norman often attributes the cause of his condition to an incident when he "fell off a diving board in Guernsey", and was horrified to be told that Siobahn had left Bananarama when he came round in hospital. He also developed a fear of bread in the second series. Glenda was undergoing 'bladder' surgery, the nature of which is never directly mentioned (apart from a comment that it was to correct 'a bit hanging down'), though Tony often jokes that she is a transsexual and once likened her to Desperate Dan.
    * Connie (Dora Bryan) — Jean's mother, a tracksuit wearing nymphomaniac who flirted shamelessly with Tony at the canteen worker's tea-party for the mothers.
    * Enid (Dame Thora Hird) — Dolly's mother, who uses a wheelchair. She lacks a sense of humour, has a sour view on everything (such as her daughter's weight gain during puberty) "she had the biggest bottom on Whitefield" and dislikes southerners. According to Dolly, she was once trapped under a Blackpool tram for nearly five hours.
    * Jim (Eric Sykes) — Stan's father, with whom he lived until series two when he died. He was a Desert Rat in World War II and various anecdotes are made about this throughout the show, such as his life being saved by a mess-tin and saving a man's life with a tablespoon.
    * Hilary (Elspet Gray) — Philippa's mother, who is patronising and very upper-middle-class.
    * Peggy (Linda Bassett) — Jean's sister, appears to collect Jean during her breakdown during her divorce. She is as equally as catty as Dolly, much to her consternation.
    * Mr Michael (Christopher Greet) — Member of staff of HWD Components but his position is never mentioned although it is hinted he is a manager or even managing director. He hasn't actually been seen doing any work and was in a relationship with Philippa (the reason she moved up to Manchester). A fan of trad jazz, sexual intercourse, jigsaws and custard.
    * Babs from Urmston (Kate Robbins) — Petula's guest to the factory's Christmas Party and Tony's blind date in series one. She's very slow, dimwitted and has the tendency to repeatedly tell people that she's from Urmston. She is very knowledgeable in catering appliances, which piqued Stan's interest at the Christmas Party. She made a brief appearance in series two after witnessing Petula's caravan exploding due to a faulty gas connection Petula made with a pair of tights. After Petula recovered from being flung into the car wash, Babs was sent to the factory on a request for Brenda's holiday money.
    * Malcolm — An inflatable mannequin of a man usually dressed in a suit, Malcolm was owned by Anita, who sat him in the passenger seat of her car while driving to discourage thieves. She often talked for him and used him as a decoration for the Christmas party. Tony once remarked that, compared to Anita, he provided fairly interesting conversation.
    * Liza (Jane Hazlegrove)- Jean's daughter, who gets married in the first episode.
    * Keith (Peter Lorenzelli)- Jean's husband, who appears at the Christmas party, but later leaves Jean for a "lipless dental hygienist from Wales".
    * Bob Bellfield (Jack Smethurst) - Dolly's husband, who came to the Christmas party and annoyed Dolly by apparently feigning deafness
    * Steve Greengrass (Steve Huison)- Unlucky office worker who can't mix his foodstuffs and who broke his leg when he slipped on some orange juice spilt by Anita.
    * Bob the factory worker (Bernard Wrigley) — Usually seen struggling to get served whilst the girls talk, and seen with Jane collecting for Mr Michael's retirement at Christmas.
    * Ken (David Hatton)- Factory worker who apparently has a wife at home with Alzheimer's, and who got bored with Yoghurt after 30 years and was encouraged by Bren to "go wild and have custard".
    * The Pie Man (Graham Turner) — A strange man who likes Judy Garland and who seems to have an attraction to Tony. He gave Tony some mince pies as a gift, which made Twinkle ill after she ate eight of them.

Why Eric and Ernie STILL bring sunshine

Victoria Wood first thought ten years ago of ­telling the story of Eric Morecambe and Ernie Wise before they were famous.
And, she says, playing Eric’s mum in a TV Christmas special has only confirmed what a great story it is.
‘No one has even been told about when the two of them met and how they developed into a double-act. They weren’t born middle-aged.
‘Like so many people, I was always a big fan, but I’m also intrigued by that period in the theatre during and after the war when Ernie was already a child star. Indeed, he could lay some claim to being Britain’s Mickey Rooney.’
Eric was different, she says, a boy with enormous natural talent and an ambitious mother.
‘I felt it was very much a man’s story, one of friendship between boys and then men. So it seemed better in the hands of a male writer. When I started ­discussing it with that writer, Peter Bowker, I imagined it would concentrate heavily on the two boys.’
But Bowker came up with the idea of ­involving Eric’s parents, Sadie and George, played by Victoria and Vic Reeves.
Despite being an executive producer of the ­production, Eric And Ernie, only rarely during filming did she stray into any discipline other than that of actress. She made just one change to the script — ‘Couldn’t we?’ became ‘Could we not?’ because she felt that’s how the characters would have spoken.
She also occasionally piped up when it came to Eric and Ernie performing comedy routines on stage. But then this is a woman who has twice sold out 15 consecutive nights at the Royal Albert Hall with her one-woman show.